Mohamed El-Nashar; Heba Nayef
Abstract
Sexist songs are among the key tools for disseminating masculine hegemony. They lead to the normalization of sexist practices. This study investigated how sexism is constructed in Egyptian society in one form of popular culture, i.e., songs. It examined songs in two music genres: Egyptian Pop songs and ...
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Sexist songs are among the key tools for disseminating masculine hegemony. They lead to the normalization of sexist practices. This study investigated how sexism is constructed in Egyptian society in one form of popular culture, i.e., songs. It examined songs in two music genres: Egyptian Pop songs and Sha’by (folk) songs. To deconstruct sexist strategies in songs, we devised an interdisciplinary analytical framework that draws upon Critical Discourse Analysis and Social Psychology. It is guided by Ideological Strategies, Objectification Theory, and Terror Management Theory. This study fills a gap in the literature as it linguistically investigates women’s representation in two different music genres. Findings showed that even though women in both genres were the target of oppression and unequal gender relations, it was the mind of the woman that was the target in Pop songs, while it was her body that was blazoned forth in Sha’by songs.
Heba Nayef; Mohamed El-Nashar
Abstract
In ancient Egypt, kings were believed to have both cosmic and political roles. One of the tools they employed to announce such roles was their royal titularies. This paper conducted a thematic analysis of the titularies of all native ancient Egyptian kings over the seven dynastic periods (from 3150 B.C. ...
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In ancient Egypt, kings were believed to have both cosmic and political roles. One of the tools they employed to announce such roles was their royal titularies. This paper conducted a thematic analysis of the titularies of all native ancient Egyptian kings over the seven dynastic periods (from 3150 B.C. to 332 B.C.). To the best of our knowledge, this is the first study to conduct this thematic analysis of 1,164 titularies embraced by 260 native Egyptian kings in the fields of Onomastics or Egyptology. We examined the linguistic repertoire used in these titularies employing two methods: manual and via Word Counter and Statistical Package for the Social Sciences (SPSS) program. The analysis yielded three main themes: Relation to the divine, theme of war and conflict, and relation to the land. Findings revealed a marked consistency in the thematic distribution across periods and titulary categories. Findings also showed significant changes in the use of theonyms and toponyms in all periods.