Zhansaya Pansat; Nurila Khalikova
Abstract
This research article provides an overview of the works of esteemed researchers who have extensively studied the semantic meaning of color names in both domestic and foreign linguistics, as well as the linguistic expression of human emotions. The article delves into the linguistic image of the world, ...
Read More
This research article provides an overview of the works of esteemed researchers who have extensively studied the semantic meaning of color names in both domestic and foreign linguistics, as well as the linguistic expression of human emotions. The article delves into the linguistic image of the world, examining how the concept of color in national culture and the words used to express emotions can shed light on the inner world of humanity and the level of acceptance of joy and sorrow within a society. Specifically, the emotional nuances of the Kazakh language’s concept of “blue” are thoroughly explored in this article. The primary objective of this scientific piece is to cognitively analyze the emotional tone of the color “blue” within the conceptual field of color names, taking a linguistic and cognitive approach. The article scrutinizes the emotional aspects of “blue” in phraseological words from a linguistic perspective while also deeply studying their cognitive nature in linguistic and cultural cognition.
Khadisa Sultanbaeva; Liliya Abdullina; Guldaniya Gimasheva; Galiya Ganeeva; Gulnur Kaskinova; Gulkay Samirkhanova
Volume 9, 2 (Themed Issue on Modern Realities of National Languages of CIS Countries) , August 2021, , Pages 151-159
Abstract
The relevance of the study is conditioned by the undeveloped issue of the conceptual framework ‘Ғаилә’ (‘Family’) in the Bashkir language picture of the world on the example of Mustai Karim’s work and the lack of works covering this concept. The purpose of the study ...
Read More
The relevance of the study is conditioned by the undeveloped issue of the conceptual framework ‘Ғаилә’ (‘Family’) in the Bashkir language picture of the world on the example of Mustai Karim’s work and the lack of works covering this concept. The purpose of the study is to identify the place of the conceptual framework ‘Ғаилә’ (‘Family’) in the Bashkir language picture of the world and the linguistic consciousness of the Bashkirs, by referring to the works of Mustai Karim. The conceptual analysis method was used, as well as component analysis, synthesis, and the deductive method, comparison. The paper analyses the etymological-conceptual, figurative, and value-based features of the conceptual framework ‘Ғаилә’ (‘Family’) in the works of Mustai Karim. This study contributes to the theory of the conceptual development of the conceptual framework ‘Ғаилә’ (‘Family’) based on the material of a single language. The conceptual framework ‘Ғаилә’ (‘Family’) was fully analyzed and described in the language picture of the poet’s world.